Mathesar a écrit :Nan plus serieusement, il suffisait de remplacer les appareils photo par des caméras
Tu comprends pas ce que je veux dire. C'etait impossible d'utiliser des caméras afin d'avoir un mouvement à 360 degrés dans lequels les personnages effectueraient des actions au ralenti. Les types des SFX de Matrix ont du perfectionner la technologie de base dans ce but. Et dans les utilisations précédentes, le mouvement de caméra s'effectuait autour de personnages figés dans le temps et dans l'espace (seule la "caméra" bougeait).
Sinon tonton Lucas il est très malade, il a un pathogène rare dit du "revisionistus maximus", faudrait qu'il songe à se soigner.
oui je vois ce que tu veux dire...
Le perfectionnement en question était une interpolation via l'informatique, je crois?
EDIT:
Sinon, Tonton lucas, il a pas juste un "revisionistus maximus", mais aussi un "Grostetus Megalomanis" aigü, et ça date pas d'hier. Et, oui, il faut qu'il se soigne de toute urgence, en tous cas avant l'arrivée (definitive) du DVD HD. Nan parce que à ce moment, il va nous la resservir, la trilogie, et on sait pas sous quelle forme cette fois ci!!!
Modifié en dernier par Mathesar le lun. sept. 20, 2004 2:28 am, modifié 3 fois.
Mathesar a écrit :oui je vois ce que tu veux dire...
Le perfectionnement en question était une interpolation via l'informatique, je crois?
Ce me semble, ça fait longtemps que j'ai vu le ptit docu consacré sur le dvd d'origine mais on voyait effectivement que les technicos effectuaient de la retouche informatique. Je pense aussi que l'ajout des cables afin d'aider les mouvements des acteurs a du pas mal jouer.
oui, c'est exact. Même qu'on voit un peu trop qu'ils sont tirés par des cables dans les deux suites, qui sont à mon sens des catastrophes internationales.
AP: After "Episode III," will you ever revisit "Star Wars"?
Lucas: Ultimately, I'm going to probably move it into television and let other people take it. I'm sort of preserving the feature film part for what has happened and never go there again, but I can go off into various offshoots and things. You know, I've got offshoot novels, I've got offshoot comics. So it's very easy to say, "Well, OK, that's that genre, and I'll find a really talented person to take it and create it." Just like the comic books and the novels are somebody else's way of doing it. I don't mind that. Some of it might turn out to be pretty good. If I get the right people involved, it could be interesting.
Une série TV Star Wars, je demande à voir. Je préfère encore ça à d'éventuels épisodes 7, 8, 9... Si en plus c'est fait à la manière des serials avec le gros cliffhanger à la fin de chaque épisode, ça pourrait être vraiment sympa, non ?
Allan Theo a écrit :PUTAIN !!
C'est pas possible de tjs voir les même bêtises (Je gueule exprès faite pass attention )
Le créateur du Bullet Time n'est autre que Dieu GONDRY !!
En 1996 dans la pub World in a Bottle pour la vodka Smirnoff on peut voir un freeze avec déplacement dans l'image arrêté.
Matrix n'a apporté que le déplacement dans une image en ralentie, soit une évolution du procédé de Michel
Il me semble même qu'on le retrouve même avant ça vu que cette effet apparé en 1994 dans "Chungking Express" de Wong Kar-Waï...
Ma femme vient de me dire que la vente des coffrets va assurer à tonton Jojo la survie de trois generations de SA famille!
Et y veut pas depenser de l'argent pour mettre les versions d'origine, le grand garçon !
La Suite confirmée !!! ( ou du moins non démantie par LUCAS himself ) !!!
Courte mais intéressante interview de Lucas sur FoxNews ce matin.
AP: Why did you change your mind and decide to put the original three movies out on DVD now?
Lucas: Just because the market has shifted so dramatically. A lot of people are getting very worried about piracy. That has really eaten dramatically into the sales. It really just came down to, there may not be a market when I wanted to bring it out, which was like, three years from now. So rather than just sit by and watch the whole thing fall apart, better to bring it out early and get it over with.
AP: Why did you rework the original trilogy into the special-edition versions in the late 1990s?
Lucas: To me, the special edition ones are the films I wanted to make. Anybody that makes films knows the film is never finished. It's abandoned or it's ripped out of your hands, and it's thrown into the marketplace, never finished. It's a very rare experience where you find a filmmaker who says, "That's exactly what I wanted. I got everything I needed. I made it just perfect. I'm going to put it out there." And even most artists, most painters, even composers would want to come back and redo their work now. They've got a new perspective on it, they've got more resources, they have better technology, and they can fix or finish the things that were never done. ... I wanted to actually finish the film the way it was meant to be when I was originally doing it. At the beginning, people went, "Don't you like it?" I said, "Well, the film only came out to be 25 or 30 percent of what I wanted it to be." They said, "What are you talking about?" So finally, I stopped saying that, but if you read any interviews for about an eight- or nine-year period there, it was all about how disappointed I was and how unhappy I was and what a dismal experience it was. You know, it's too bad you need to get kind of half a job done and never get to finish it. So this was my chance to finish it.
AP: Why not release both the originals and special editions on DVD?
Lucas: The special edition, that's the one I wanted out there. The other movie, it's on VHS, if anybody wants it. ... I'm not going to spend the, we're talking millions of dollars here, the money and the time to refurbish that, because to me, it doesn't really exist anymore. It's like this is the movie I wanted it to be, and I'm sorry you saw half a completed film and fell in love with it. But I want it to be the way I want it to be. I'm the one who has to take responsibility for it. I'm the one who has to have everybody throw rocks at me all the time, so at least if they're going to throw rocks at me, they're going to throw rocks at me for something I love rather than something I think is not very good, or at least something I think is not finished.
AP: Do you pay much attention to fan reactions to your choices?
Lucas: Not really. The movies are what the movies are. ... The thing about science-fiction fans and "Star Wars" fans is they're very independent-thinking people. They all think outside the box, but they all have very strong ideas about what should happen, and they think it should be their way. Which is fine, except I'm making the movies, so I should have it my way.
AP: After "Episode III," will you ever revisit "Star Wars"?
Lucas: Ultimately, I'm going to probably move it into television and let other people take it. I'm sort of preserving the feature film part for what has happened and never go there again, but I can go off into various offshoots and things. You know, I've got offshoot novels, I've got offshoot comics. So it's very easy to say, "Well, OK, that's that genre, and I'll find a really talented person to take it and create it." Just like the comic books and the novels are somebody else's way of doing it. I don't mind that. Some of it might turn out to be pretty good. If I get the right people involved, it could be interesting.
Flytag a écrit :C'est marrant Highlander 2 à été modifié 4 fois , et y'a pas un sujet de 32 pages
Y'a des fanboys de Highlander 2 tu crois ?
Déjà on a Jérôme, mais il sert de courroie à des milliers d'anonymes.
Respect à lui.
Oui je le clame bien haut, j'aime Highlander 2 et tous ses différents montages. J'ai même enfin reçu ce matin la nouvelle édition Z1. Vivement ce soir si mon fils ne me fatigue pas trop avec ses biberons.
hs... la nouvelle édition z1 a le montage du laserdisc collector ou un autre ? (oui moi aussi j'aime bien highlander2, assez pour avoir un ld ntsc AC3 5.1 )
(Je gueule exprès faite pass attention 
( ou du moins non démantie par LUCAS himself ) !!!